Un grupo de destacados arquitectos, entre ellos cinco ganadores del premio Pritzker, acusaron el domingo 19 de abril en carta abierta aparecida en el periódico londinense The Sunday Times al primogénito de Isabel II, Carlos de Inglaterra, de “burlar” un proceso democrático en la adjudicación de un edificio de nueva planta utilizando sus “conexiones reales”. Según ese periódico, Carlos ha convencido a la familia real qatarí, propietaria de los terrenos, en el elegante barrio londinense de Chelsea, de la conveniencia de construir edificios tradicionales a base de piedra y ladrillo frente al proyecto de Richard Rogers, que utiliza sobre todo cristal y acero. El solar en cuestión está junto al Hospital Real de Chelsea, diseñado en el siglo XVII por Christopher Wren, el arquitecto barroco de la catedral de San Pablo. Entre los profesionales críticos con la intervención de Carlos de Inglaterra y solidarios con R. Rogers figuran Norman Foster, Renzo Piano, Jacques Herzog y Pierre de Meuron, Zaha Hadid y Frank Gehry, es decir, algunos de los arquitectos más importantes en la actualidad.
The prince and process
THE Prince of Wales’s intervention over the design of the former Chelsea Barracks site deserves more reasoned comment. It is essential in a modern democracy that private comments and behind-the-scenes lobbying by the prince should not be used to skew the course of an open and democratic planning process that is under way. Proposals by Richard Rogers’s practice for the developers Qatari Diar were recently submitted for planning to Westminster city council. The scheme has been adapted and changed in response to comments from Westminster’s planning officers and extensive local consultation. Statutory bodies such as the Commission for Architecture and the Built Environment and the Greater London Authority have also been consulted. Westminster’s planning committee will meet engage in an open and shortly to deliver its verdict. Its members should be left alone to decide whether the Rogers scheme is a fitting 21st-century addition to the fabric of London. The developers have chosen carefully in selecting the best architect for the sensitive project. Rogers and his team have played their part in engaging with the democratic process. The prince and his advisers should do the same. The process should be allowed to take its course; otherwise we risk condemning this critical site to years as an urban blight. If the prince wants to comment on the design of this, or any other, project, we urge him to do so through the established planning consultation process. Rather than use his privileged position to intervene in one of the most significant residential projects likely to be built in London in the next five years, he should engage in an open and transparent debate.
Lord Foster, Foster and Partners, London, Pritzker Prize 1999
Zaha Hadid, Zaha Hadid Architects, London, Pritzker Prize 2004
Jacques Herzog and Pierre de Meuron, Pritzker Prize 2001
Jean Nouvel, Jean Nouvel Architectes, Paris, Pritzker Prize 2008
Renzo Piano, Renzo Piano Building Workshop, Genoa, Pritzker Prize 1998
Frank Gehry, Gehry Partners, Los Angeles, Pritzker Prize 1989
Sir Nicholas Serota, Commissioner, CABE 1999-2006
Richard Burdett, London School of Economics
David Adjaye, Adjaye Associates, London
Deyan Sudjic, Director, Design Museum, London
VER: The Sunday Times
Escrito por Emilio Luque 
Escrito por Emilio Luque